Press
LIVE REVIEW: SIMONE HELLE “Let Us Agree” – Martin Feldhaus
“A virtuosic work of sonic art at the Kultursommer … goosebumps.”
“A plea for tolerance and human rights.”
Ahlen – A musical blend of “Orient meets Occident” created an impressive sound experience on Saturday evening. … The virtuosic overall soundscape that the five musicians presented afterwards as a powerful and passionate plea for tolerance and human rights metaphorically brought the sun out more than once, even though it did not shy away from addressing serious issues. …
Particularly in the second part of the performance, the instruments santur (similar to a hammered dulcimer) and tombak (a wooden goblet drum), which traditionally belong together, created extraordinary instrumental sounds. Among other moments, they highlighted … the poem “For Your Beautiful Eyes” … Helle’s musical setting of the poem afterwards sent goosebumps through the audience and captivated the entire hall.
Westfälische Nachrichten (07/2024)

Photo: from a video by Bernd Uhlen

Photo: from a video by Bernd Uhlen

Photo: Kurt Rade

Photo: from a video by Bernd Uhlen

Photo: private
REVIEW: SIMONE HELLE “The Right Night” – WAZ Duisburg
“Simone sings with fire”
Homberg jazz talent impresses on her first CD. “The Right Night” is just right for fans of soulful improvisations.
“On her first CD ‘The Right Night’, the Homberg singer creates an exciting atmosphere between jazz, blues and soul together with her ensemble ‘The 6th Sense’. … Simone wrote three of the songs herself: the fiery ‘Mama Blues’ in German (in her hands a sensitive and expressive language), the title track ‘The Right Night’ with its vibrant swing, and the cheeky ‘Loud, Sexy and Proud’. All 13 songs reflect the richness of life and also demand vocal stamina. They convey heart, passion and life experience. Her songs captivate listeners.”
WAZ Duisburg (05/2005)
LIVE REVIEW: SIMONE HELLE & The 6th Sense – NRZ Duisburg
“This voice is a revelation.”
“They still exist – those natural vocal talents. What Simone Helle brought to the microphone at ‘djäzz’, with her silver-rough timbre, fractured intensity and often softly breathed blues pathos, were the classic hallmarks of a true singer. The versatility of her voice let the history and evolution of jazz pass by in an acoustic revue. … This woman has a voice and uses it in a virtuoso journey through her vocal range. … Her voice seems like the shared legacy of Mahalia Jackson and Ella Fitzgerald.”
RP Duisburg (04/2004)